Berthold Steinhilber Photography

Morgennebel im Totengrund in der Lüneburger Heide

German Landscapes

The value of the landscape

‘Germany’s Landscapes’ is a photographic journey through coastlines, rivers, wetlands, forests and mountains. The first photographs were commissioned by stern and GEO – on topics such as geotopes and national parks – and were later published as a book. What began as a commission became an independent project that remains open-ended and is continually expanded.

Landscapes hold a special significance for us and move us deeply. On my walks, conversations repeatedly arose about the value, beauty and memories that people associate with them. At what point do we perceive a landscape as beautiful? What makes it worthy of protection – and who decides that?

I found guidance in the Federal Nature Conservation Act, which recognises the beauty of a landscape as a conservation value in its own right: nature and the landscape are to be preserved in such a way that “diversity, distinctiveness and beauty, as well as recreational value, are permanently safeguarded” (BNatSchG § 1 (1)). This legal framework became my starting point for taking a closer look.

Clients often wanted images that looked spectacular, idyllic or dreamlike. This tendency towards exaggeration still gives me a queasy feeling, as it often obscures what really matters: the authenticity of a landscape, its stories and its value to us.
I am not interested in how perfect a landscape appears, but in how we experience it, the connections we form with it and how we treat it. Landscapes are not mere backdrops. They are part of our identity, our history – and our responsibility.

The North

The landscape of northern Germany holds a special fascination for me. I’m not entirely sure, but it’s probably down to the vastness of the landscape and the prominence this gives to the sky. Clouds play a significant role for me in this.

I remember very clearly a cold December evening when I was photographing the Wadden Sea from the lighthouse near Dorum. I was deeply impressed by this lunar landscape of frozen mudflats and the light of the fading day. An almost otherworldly landscape in the very best sense of the word.

Wattenmeer im Winter bei Sonnenuntergang bei Dorum

Wadden Sea near Dorum

An almost otherworldly landscape of frozen silt bathed in the light of the fading day.

Salzbergwerk aus keltischer Zeit in Hallstatt

Süntelbuchen, Bad Nenndorf

The East

The chalk coast of Rügen and the forests on the Darß have been among my favourite landscapes ever since my first visits.
I’ve done a lot of walking there, explored many areas and discovered landscapes to which I love to return time and again. These pictures are a selection of them.

Weststrand, Darß Peninsula

Weststrand, Darß Peninsula

The West

Since working on this book, the Eifel, the Hunsrück and the Palatinate Forest have grown dear to my heart, and I keep returning to these landscapes to take photographs.
In doing so, I’m constantly discovering new areas that complete my picture of Germany, such as the Odenwald and the Kellerwald-Edersee National Park.

Saarschleife

Saarschleife - Saar river bend

The South

The landscape of rolling hills and mountains: I was born and brought up in south-west Germany. That’s why I feel a strong connection to the landscape of the Swabian Alb, but at the same time, photographing it is one of the most challenging tasks. It took me a while before I was satisfied with my shots of the Albtrauf, the Blautopf and the Danube Valley near Beuron.

Seealpsee im Allgäu

Seealpsee